ABC Meme

Accent: Soft English, often mistaken for undefined European.

Booze: I prefer Shiraz or a very dry Chardonnay.


Chore I hate: Putting my clothes and getting ready in the morning. I am never sure if there is something stuck to me – dregs from the food last night, loose hairs, whatever. I’m never sure if I look ironed enough. I’m bothered that the limited makeup I’m wearing might be smudging.


Dog or cat: Cog. Well actually, a big dog — bull terrier or German Shepherd preferably.

Essential electronics: Computer with a link to the Internet.

Favourite cologne(s): A variety of French fragrances bought for me by Mike.

Gold or silver: Gold.

Hometown: As yet I have no home. (This really is disturbing!)

Insomnia: Rarely. I tend to sleep through anything, no matter how loud, although I will wake up to check it out initially if and when the noise is loud enough.

Job title: Writer

Kids: Go well with goats.

Living arrangements: I share my homestead with that young-head, Mikey.

Most admirable trait: I don’t give in.


Number of sexual partners: I’m going to regret, when I am well-aged, that I had too few.

Overnight hospital stays: Being born, tonsilitis, appendicitis, ass-hole surgery.

Phobias: Black wall spiders which move fast. That my brain will rot in a clerical job.

Quote: Better to die standing on your feet than to live on your knees!

Religion: Just say no.

Siblings: Two brothers, a sister.

Time I wake up: About 6.15 am.

Unusual talent or skill: Managing not to assimilate, despite contrary pressures.

Vegetable I refuse to eat: This isn’t a vegetable, but I don’t like those eggs of Cod.

Worst habit: Over-preparation for each single engagement.  (e.g.  I’m not sure if what I put on has since got dirty, or if I’ve forgotten to take with me something essential, like my credit card.)

X-rays: Knee, gut.

Yummy foods I make: Stir fry — beef or seafood.

Zodiac sign: Up there in the sky — in the darkest nights.

Falling down an escalator

I feel like I have more of the eagle’s eye perspective on various aspects of life, now. It’s been a strange journey — in some ways feeling more like falling down an escalator than climbing a thermal. Yet, strange to say, “I fell down the escalator” and suddenly I am seeing from greater heights.

The core of this fundamental change has been my sense that I had to become calmer in order to take on more than the workload I’m doing. The need for energy conservation has in turn invoked brain-wracking measures, trying to come to terms with ways of calming, resting and pursuing a deeper sense of relaxation. The goal? Greater efficiency.

And now?

–I’m working it a little better. Things are starting to flow.

concept of individualism

Individualism is often a wonderful institution. We are free to make choices. But are we not — at least sometimes — also compelled to give reasons for our choices, compelled to overthink or overact our “choices” (which are sometimes not always choices at all, but products of our force of circumstance).

And: Don’t we find ways to COMPEL people to act as individuals?

And, is it always worth it?

some notes on African culture

A metaphor of epistemology of the self, in African terms, would be in terms of proximity or distance.  This is my hypothesis.

As one moves across the land, in physical space, one values and relates to that which one encounters. This metaphor of distance is produced by experiencing a sense of personal identity as a relationality to concrete objects which have been imbued with personal emotional meaning. Distance or closeness to such personal objects (including people) defines the true, underlying sense of self. When one is not in touch with such personal objects, and when their presence is not invoked through language, one may truly feel as if one is set at a distance from one’s truer, actual self.

Such a dimension of thinking and relating is often missing from ways of relating defined and imparted within relatively confined urban and post-industrial cultures. By contrast, there is lack of conceptualising of the dimension of distance in the Western concept of personhood, in general. Rather, there is the tendency of the Western mind to see the “individual” as pretty much an open book at all times. There is a tendency towards an epistemological positivism and absolutism in relation to the “individual”.

Within a pre-modernist society, one’s idea of a self is strongly defined by one’s relationships to physical, concrete objects, as compared to a modernist (or postmodernist) one. In a more modernist context, one’s sense of self has relatively more to do with one’s relationship to concepts rather than to concrete objects (eg. ‘success’, ‘power’, ‘capital’ — concepts primarily, rather than physical presences of anything). Once again, epistemological differences regarding a person’s culturally engendered sense of self are relative, rather than absolute. Broadly, the sense of the Western self is marked by a metaphor of “presence” and the sense of the African self is marked by a metaphor of “distance”. And the “presence” of the western self is defined in practice by a conceptualised sense of an “impossibility of distance”.

In this sense, the African self may be seen to have another dimension to it: depth. This depth relates specifically to a sense of the person as being immersed in power relationships, which may cause the more genuine self to withdraw, effectively to depart, despite the physical presence of the person remaining in a particular place. A more dynamic power force may be allowed to dominate at the expense of my “individual” self. This is a feature of African deference to collectivism and/or tribalistic organisational forces. Allowance for such organisational forces is often ad hoc, and relies upon one feeling what the dynamic is, which needs to be accommodated. This dimension of sensing power is often missing from the Westernised psyche, in my experiences.

The Western sense of self, conversely, is mostly understood as self-evidently present. One simply has to be physically present for everything important about one’s identity to be layed out on the table. One may be hiding something, but that can theoretically be brought out into the open and layed out, too. There is no sense that the “individual” may actually be able to hide anything about herself. A Westerner has one less dimension by which she can define herself: She lacks, as part of her self-identity, an acute sense of her relationality to power, and the option to keep her real self hidden in relation to the forces of power.

What I found most lacking when I immigrated to the West, was a sense that identity mattered beyond the immediate sense of “what one did”– the positivistic, materialist aspects of life. Concomitantly, people were afraid to try anything that “wasn’t who I am”, for fear of making a fool out of themselves by somehow becoming at odds with the image they were setting out to define as “who I am”. The sense I had was that people didn’t have a very robust sense of self, at al: Rather, a highly conceptualised one, defined by a relationship to a network of concepts/ethereal ideas, rather than by one’s ability to experience actual concrete reality. I also found that nobody seemed sensitive enough to the complex relationship to power, which I felt, in order to pursue my selfhood, which was at a distance from the situation I was in, and hardly present.

As I was unable to find where I fit into a collectivist power relationship in the Western environment, I had merely retreated – psychologically removed myself to a distance from the situation I was in. Nobody had enough of a sense of the subjective dimension of power, and how I had situated myself in relationship to it, to pull me out of my shell. When I finally adjusted to the Western way of seeing and doing, I also felt like I had lost a whole dimension of complexity in the way that I could experience life. I really missed the sense of ad hoc collectivism, where you would somehow feel out a situation for its power dynamics and then allow the winds of the power dynamic to inflate your sails, taking you where-ever it might go. Conversely, I found Australians to be relatively stiff, conventional, judgmental and narrowly competitive with each other over very, very small aspects of life, like style of dress.

Toyin Falola said, in his autobiography, that in the West, nobody really knows him, because they do not know his secret African name (Isola). They know neither the word nor the meaning of it, which is defined by the context of Nigeria, and his childhood in that country. To know who Toyin Falola is, one would need to know this concrete and experiential context. If one does not, then for many intents and purposes, the real Falola is hidden at a distance from his Western physical location – his spiritual self is only to be found in Africa.

This is a conceptualisation of psychological and spiritual distance – even distance from one’s physical self – which I do not often encounter in the West. In the West, so long as one is physically present, one is generally considered to be psychologically and spiritually present as well!

In Africa, it would appear that this is not always the case. In the West, when one greets another, one says, “hi!” In Africa, there are long, drawn out and prescriptive rituals for greeting and for acknowledgment of another person. I’m suggesting that in a way, these greetings are intended to “invoke” the real self of the other person, and draw them back from the distance in relation to power, which they may be immersed in. There is something ritualistic about the greetings, which also serve a purpose of invoking a particular individual to respond on the basis of what is held in common:

Good morning, how did you sleep?

I slept well, but only if you did!

I slept well.

Then so did I.

A sensitivity to power relationships is very present in the above greeting. There is a shyness, within this speech, concerning what is to be acknowledged. There is protection of a desire not to stand out by one’s differences. Recognition of differences in a non-ritual context thereby become a source of mirth. One is highly amused (and perhaps a little embarrassed) by what is different in another. One is vitally interested in it, and investigates it thoroughly (and often a little teasingly or unkindly). This is also something I recognise as African.

A high sensitivity to power differentials, and the need of a person to hide themselves from the force of power is also a feature of the African culture I was brought up in. A teacher will not, for example, approach a student and automatically expect them to tell the truth about a situation or themselves. The student’s right to hide from the direct questioning of the teacher and not to divulge personal information is tacitly protected in most contexts. It would be rare for a teacher to expect a student to relate to him or her on equal terms, because both parties are acutely aware of the power differential, and how that creates a more complex dimension of the self (represented by the metaphor of distance). So, the teacher will in effect, coax and beg the student to reveal the truth, by performing various ritual gestures to invoke respect.

Eventually, the student will succumb to such coaxing, after a ritual period of resistance. They will divulge the information that the teacher needs to know. By contrast, the western approach to getting information is usually much cruder and more presumptuous – mostly because the westerner assumes that whatever information they need to know is really already there, on the surface! (The quintessential western individual is always already “present” for interrogation). The westerner usually culturally ready and able to justify the “reasoning” which is purportedly behind their actions. This is considered necessary in order to justify oneself as a rational identity. (One needs to demonstrate the quality of one’s thinking: “I think therefore I am!”) The “individual” is thus easily dismissed if the thinking is not considered up to scratch – the western individual is a very tenuous and fragile construction!

Chinua Achebe said (The Steve Biko Memorial Lecture, 2002) that, “I think therefore I am,’ is the basis for defining the Western individual. For Africans, “I am a human being because of other human beings.”

Earlier this year I saw on American television an interview of Mr. Mandela in the Oprah Winfrey Show. Oprah was suitably deferential, but there was something she refused to accept. Mr. Mandela was at pains to explain to her that the victory was not his alone but the work of a group and the whole country. He kept stressing the collegiate, the co-operative; she kept insisting on the self, the individual. It all seemed to me like a little war game between the Western and African psychologies, between “I think, therefore I am” and “A human is human because of other humans”.

This implies a higher level of reliance upon conceptual thought – ideas – for self-definition, on the part of the Western individual. It implies a much more fragile basis for self-definition than having as an epistemological basis for selfhood the concrete quality of being human, which rather tends to invoke a higher sense of relationality between other human beings, within various flexible relationships of power.


Human intelligence is needed!

A FEW ROUGH NOTES

One of the main differences between old fashioned conservatism and the new – at least in my colonial experience — the old fashioned conservatives were keen to promote far and wide the implicit belief, “If you do the right thing by the system, the system will surely do the right thing by you!” This was the constant message I got at high school. Actually, if you felt you were being treated unfairly and you had good intentions to do the right thing, then (here is the key point) SOMEBODY within the system would speak up on your behalf and rectify you situation. But this was no ‘invisible hand of fate’ (no need to conceptualise a predetermined justice guaranteed by magical properties entailed within the meaning of existence, itself).

More precisely, there was there was no feeling of being guaranteed that “superior people always win” (a social Darwinist credo). It was actual people,always morally active, always making minor human adjustments within the more bureaucratic system, which allowed for the general preservation of this systematised belief in the system. Old-fashioned conservatives worked overtime to so that the system was seen as morally fair and justified. They applied human effort and human intelligence to this task.

Neo-Cons, however, appear to think that ‘the proof of the pudding being in the eating’: Namely, “if you happen to fail at something for any reason (including the effects of a dysfunctional system), then it is hereby proven that you are no superior being and one who deserves no success!” This seems to be their supposedly hard-headed (but actually dysfunctional)approach, which really requires a fair dollop of mysticism for people to continue to believe in it — as such an idea doesn’t provide much insight into how social systems empirically function.

The Neo-con approach is a recipe for revolution, if people start to think more rationally than they. I’m not arguing for the “inevitability” of revolution any more than I am willing to concede that “naturally superior individuals” naturally make it to the top of their societies — they may; but they may not. What counts is human action, human intelligence on one’s own or an other’s behalf, every time!

Metaphor and irony wasted on conservatives!

Is it not true that a central conservative mannerism is to act as if metaphor and irony (complexity in general?) is hard for one to grasp?

Why do the rhetoricians of a conservative ilk still fail to realise that their attempt to sabotage communication of ideas they do not like can easily be turned against them? Liberals can decide to simply leave them in the dark and refrain from trying to make their intelligent views more understandable by those who affect the manner that they clearly ‘have no use for it’?

Why educate these conservatives? Why inform them, thus wasting one’s energies with no effective advantage?

Let these conservatives find their own ways in life, without help, information or advice — assuredly they’ll make their own mistakes then, and hurt themselves a lot.

We need to realise and accept that this is their ideological version of ‘human nature” at work: conservative incorrigibility translates as practical stupidity. And such stupidity forever remains, according to the conservative’s own motto, namely: ‘The more things change, the more they stay the same’.

Book review: Marisa by Peter Cowlam

http://www.centrehousepress.co.uk/page3.html Marisa

Peter Cowlam’s Bruce, our leading protagonist and surveyor of English middle-class life, has everything a rising urbane professional college boy could ask for: a nutshell life, a ready-to-wear career path, and a position in haute bourgeois society, courtesy of his father, also named Bruce. Yet, something is missing: And it’s not just the smile on his face, which Bruce, the son, first notices lacking in the collection of family photos which his father had gathered together at the point of dying. The particular lack of Bruce’s (as it can be judged) is an unconscious one, engendered by his upbringing, and as such it is indicative of a deterministic source of absence.

It’s not that Bruce isn’t able to choose to go against his mother and father’s will, in the sense that Edith Wharton reminds us in her novel, The Age of Innocence, whereby romantic loss can be an outcome of a good son’s class loyalty. That is to say, for Bruce, it wasn’t the will to make a decision which was missing, but lack of the associated underpinnings of passion which would solidify a romance into something more than just ephemeral upper-class dreaming, nightmare material or vainglorious gesture.

This story of Marisa is a modernist romantic tragedy, which tips its hat to Wyndham Lewis, Henry James, Edith Wharton, Henri Bergson and others. Yet Cowlam’s novel has more to offer than this. It explores a broad range of intellectual themes, such as the psychological dynamic of left-wing and right-wing politics and their relation to art, male and female conceptions of love, our intuitive conceptions of time and the tragic nature of humour.

The rhetorically understated quality of this fascinating romantic tragedy is developed around an unbridgeable gulf which is not defined by overt cultural boundaries or moral ‘sin’ – it is more peculiar or esoterically haunting than that. After all, Marisa and Bruce share much of the same cultural context, even though their values appear to differ more widely as the drama progresses.

There is a subtlety to Bruce’s despair, since he longs for the intoxication of a powerful artistic effect which could deliver him the message for which he secretly longs: that, ‘the social mores we take for granted every day’ might give us less than the full serve demanded of our human desires in this world. This intoxication is not to be imbibed in the form of seemingly lowbrow student confections, however. Form is not only as important as function – it is the fundamental key for Bruce, aiding him to determine his class function on the basis of certain straightforward and external social signs. Therefore, it must be via his own elitist social circle where he receives the artistic message which can reach him, the one whereby the ‘whole cosy notion of what civilisation is, is undermined.’

Yet, the ironic tragedy is that the corporate class to whom he owes his loyalty cannot deliver the level of passion and truth he craves. The only one who can do that is Marisa, and she belongs to a tribe, not of factual and hard-headed financiers but, of artists. There is a writerly turning of form and content reflective of the refractive psychology of Vorticist style, exemplified by the novel, Tarr, by Wyndham Lewis. Bruce appears to represent form seeking a content, whereas Marisa, his love interest, ever elusive of his knowledge and control, appears unable to reveal to him her suggestibly substantial but (from Bruce’s perspective, at least) aesthetically and psychologically murky content.

The narrative of recollection is told in the form of reminiscences via Bruce. Through his darkened phenomenological lens, Marisa appears in various manifestations as a ghostly figure ministering to his needs, or as a highly abstractive and impractical person, unable to convey her intended artistic and personal meanings. Whereas the reader suspects that Marisa’s character is in itself deep and complex, we only know to what she aspires via the selective memories and perceptions of Bruce whose eye for her left-wing tendencies is often patently and openly jaundiced.

Such a perceptual bias is a formula for failure to really engage on Bruce’s part. This appears at least (for it is only his perspective that we know) to lead to events which can be interpreted as being sadistic or masochistic along gender lines. As Bruce becomes the domineering inheritor, and manipulator, of patriarchal power and finances, Marisa engages in a masochistic act, not entirely distinguishable in form if not intent, from the contemporary feminist statement of Annabel Chong. Furthermore, this act might have been judged to spite Bruce and not just an enactment of ‘feminist’ artistic statement. What can this and other feminist performance mean for women? This is one of the subtle questions indirectly raised in this novel.

As I have suggested, there is a subtlety to the plot’s telling, so that we are unsure what exactly is taking place within the psyches of Marisa and Bruce. The dynamic which resonates most clearly is that of British class social inflections of meaning and differing value systems. The plot’s development is adeptly marked by Bruce’s realisation of loss throughout the latter part of the novel.

The whole novel is logically and aesthetically completed by the protagonist’s desperate attempt to remember details of what occurred between himself and Marisa, in order to recapture and retain a vestige of living passion. Indeed, a great deal of Bruce’s ill-fated attempts to repossess the essence of Marisa in his life is represented by the trope of collecting: thus it is that Bruce peruses the memoirs he has stockpiled from Marisa’s life, still perhaps not understanding the basis of many of the intentions underlying her artistic endeavours. The gender dichotomy delicately represented here: one of an objectifying male collector of Marisa-memoirs alongside an ephemeral and subjectively simplified, potential ‘collectee’ reminds the reader of John Fowles’ intriguing and gender-archetypical depiction of Clegg and Miranda in his novel, The Collector.

There is a dry sardonic tone to Mr. Cowlam’s Marisa. A soft sense of mirth flows through the narrative, as we learn to see how the eye that seems to see all, also fails to see aspects of meaning which could be directly relevant to his intimate interests. We are treated to an education concerning what it might be like to see the world through the eyes of an upper-middle-class English gentleman. Readers will experience the protagonist’s repressed way of looking at the world, his reflexive dismissive propensities, his regularly intelligent but overdrawn artistic flourishes (a function of his self-appointed semi-aristocratic role as arbiter of taste) and yet often classically imbued turn of phrase, his interest in the material quality of good nourishment, preferably imbibed within tasteful interiors boasting thoughtfully chosen furnishings as well as his paradoxical interest in mysterious, elusive (because passionate) modern art forms.

Bruce has everything a British rising middle-class individual could ask for. Yet something tragic happened to Bruce at a crucial point around the middle of the book, whereabouts Bruce’s élan vital underwent a transformation for the worst. Nobody knows it – except finally, perhaps Bruce himself. Whereas mechanistic, linear time appears to go on as before and his son, Bruce Three is born so as to continue on the line of Bruces, Bruce’s own intuition of time has become radically transformed. Worse, he now knows something he didn’t know before which he wishes he hadn’t apprehended: that ghosts and murky lures of the imagination can no longer simply pass for fanciful left-wing tropes, but are finally to be taken as…something all too real.

Buy Marisa

Manila Garden Restaurant: a place to eat.

A place of delicious and nutritious food…

The decor gives the effect of a jungle hideaway, just off Albany Highway in Perth. Mike and I gazed through the stringy, strippy material which shaded our window from a complete view of the main road.

The food arrived and the shiraz I had turned out to be … fortunately not delicately chilled, as it had been in
Vanuatu.

The curried chicken I ordered was scrumptiously fine. Mike’s food was vegetarian — enough said! The side-dishes we ordered exquisitely balanced the mains, by giving ample coolness zest: cucumber and tomato; chillis chopped, imparting their own effusion of sauce.

The atmosphere, I thought, was vaguely Mexican. It must be the Spanish influence.

My life as she is happening!


I’m eating walnuts.
They’re remarkably fresh and taste rather like those fresh pecans which I used
to eat at Christmas, shelled but then cracked.
I’ve just had my ‘flu
shot in anticipation for the upcoming winter — since we plan to be in the gym a
lot.
I’ve ordered some
software to learn Shona.
I’m anticipating
resting.
I found one truly
enlightening article on the web about archiving African historical material –
will be very helpful to me in my further studies.
I’ve figured out that
a lot of what postmodernism is about has to do with resisting images and ideas
which are not already culturally prescribed, intensely known, and therefore
anticipated. (Postmodernism has more to do with Structuralism than it lets on.)
Postmodernist culture still genuinely struggles with the main task it appoints
itself: Accepting the difference of “The Other”.
It avoids acknowledging the emotional difficulties involved in fully opening up to The Other, through playing a moral role, ostensibly to aid this wayward Other on its path towards an embrace by bourgeois liberal, western values!
I’m reflecting on the
structural make-up of the novel I am editing.
I’m going out tonight
and eating Filipino (food, not people). I’ll leave behind my escrima
sticks.

Strictures of patriarchy

Could there be a bit of my father’s ways in every male who has been brought up under the strictures of patriarchy? He is not alone. Indeed, many who feel as he does will take his side – blindly in a way and no doubt inadvertently.

When I think of my father and the pain he must have experienced, it drives me to drink. I, myself, feel the need to cauterize the awareness I experience — that of a man who feels himself to be loving only when he is overcome with a destructive urge. That of a man who is desperate to be loved, but unable to behave in a fashion which would allow anyone but the most foolhardy to approach him with a genuine openness.

There is no doubt that what he has transmitted to me is his pain. I have felt a sort of deadening inside, a hurriedness, a frightened urgency, whenever I’ve had cause to cast a reflective thought in his direction. Quickly, I feel an urge for some white wine. I want to obliterate his pain, his memory. I want to annihilate my realisation that such destructive people as he actually exist. I want to qualm my fears.

He is ostensibly not an overtly destructive man, and has the outward appearance of mild-mannered innocuousness. All in all, he gives the impression of a man ‘more sinned against’ than ‘sinning’. Yet that is a superficial impression gleaned by those who do not have to live with him — or who have lived with him and would rather forget what they know about him. It’s hard to admit what we do know. It is terrifying. Admitting as much seems outwardly cruel. Yet, it has to be admitted for the sake of understanding the effect of patriarchal strictures.

This is a man without an inner self. He is one who will do anything harmful to another in order to temporarily relieve this sense of inner pain he feels at having lost his self. He needs to control others because he is hurting, and control of others gives him some temporary sense of control over himself; some sense of even having a self.

This is not benevolent paternalistic control — you wouldn’t want it exercised over you any more than you would hire a new player on your team for the specific purpose of kicking “own-goals”.

It is hard to be honest about such people as my father. It is hard because he is not alone, because I sense that many other males are damaged in a similar way to how my father has been.

It is natural for newcomers to fear the fight

As the wheels of history turn, we find that many males are still very new to the sense of the necessity of ideological sparring in order to defend such elements as: their freedom, peace of mind, bodily integrity, right to be treated as a human being not as a machine or toy, etc.

Ever since the First Wave of Feminism in the late 1900s, many women have been sparring for the purpose of acquiring these cultural artefacts, whereas men have often been spared the trouble.

It is now 2006 — and many men are still figuring out the dynamics of power. “It is not ‘given’, rather ‘it is taken’, ” said Nietzsche, pointing out to idle men that our natures are not static, but an outcome of our wins and losses within the power dynamic of society. Social ideologies concerning types of mannerisms and posture which are to be symbolically and concretely associated with ‘masculinity’ and ‘femininity’ are merely indicative of the current state of play — to be precise, the wins and losses which have accrued to those who’ve fought for men or women since the dawn of human time. And most of the time, the men have been handed their winnings to them by some prince or king, on a silver plate.

Therefore the majority of men remain novices at sparring: they spar the wrong sorts of people (their female allies); they get confused and want to suck the cocks of their Big Boss. When all their efforts boil down, it appears that most males are not fighters after all — historical precedent has not demanded it of them, but has rather made their lives all too easy.

Now, we are all paying for that, in the form of the advent of the Fundamentalists to the throne of power. Male Jezebel has taken the seat of the White House.

There is a solution, however — and it derives from a psychological and social appropriation of what grunts (sparing the aristocratic officers, though) learn from the military.

Here it is: Inexperienced soldiers must face the enemy as the first row of attack. That way, if these historical newcomers to ideological sparring take fright, the hardened female officers in the rear row can give them something to really be frightened by! (Members of the rear section always carry pistols.)

This is one way to assure that soft and fearful males do not turn back from the bloody fight we are engaged in, for our human rights!

Higher Culture — it is missing

One of the features I would expect from a culture which considers itself to be more than just the condition of proletarians getting by on whatever they have at hand, is an uncompromising stance.

It is this which makes culture self sufficient, worthwhile.

So often compromise with crudeness and vulgarity is considered an intelligent response to the world as it is. That’s understandable — but it keeps the world the way it is, vulgar and crude. That is not an approach which works for change.

To fail to put in an effort towards change is understandable. There is intelligence in such reaction, but there is no real higher culture.

Present culture is fragmented, contradictory, cynical — it has passed its use-by date.

Those who acquiesce to that which they admit (perhaps in not so many words) is crude and classless have also (to be consistent) passed their use-by date.

Compromise with what one finds vulgar and distasteful is only necessary in a second-rate culture, which is what we have (for the most part) today.

Why do ideologies work?

Ideologies are explanatory systems which supply meanings by giving us prescribed ways to interpret the phenomenal world around us. All ideologies will intersect with politics at some point (having a political effect on their believers). Some ideologies are arguably designed explicitly for the purpose of having an ideological effect — think of antisemitism and how Hitler used it to direct the outrage of an economically disappointed German generation. He gave certain segments of the German population an internal enemy (the “Jews”) , upon which they could vent their rage. Their real enemy was actually the force of the allied powers, which had chosen to punish the German state so harshly for its participative exploits in World War 1, a war they’d lost. But that was an external enemy, moreover a much more powerful one, relative to the defeated Germany of the time. The Jews made much better enemies — because they were relatively weak and available on the spot for punishments.

So, that is why anti-Semitism worked as an ideology: It formed a perfect conduit for the rage of those who felt themselves to be socially impotent at that time of adopting the ideology.

An extreme form of ideological manipulation, anti-Semitism suited the extreme circumstances of the time. Many who probably wouldn’t have bought into it if they had not felt an economic squeeze (and resented it) would have been more easily seduced by a desperate need to get rid of some of their negative energies, somehow. The more desperate the situation, the more it doesn’t matter how — for most people are morally and emotionally weak!

The Steve Biko Memorial Lecture, 2002 By Chinua Achebe

Achebe:

Earlier this year I saw on American television an interview of Mr. Mandela in
the Oprah Winfrey Show. Oprah was suitably deferential, but there was something
she refused to accept. Mr. Mandela was at pains to explain to her that the
victory was not his alone but the work of a group and the whole country. He kept
stressing the collegiate, the co-operative; she kept insisting on the self, the
individual. It all seemed to me like a little war game between the Western and
African psychologies, between “I think, therefore I am” and “A human is human
because of other humans”.

FROM NOW ON, I INSIST THAT I AM A HUMAN BEING BECAUSE OF OTHER HUMANS….

If you dehumanise me, you will also dehumanise yourself. You are no more an isolated bubble than am I. If you treat me with respect then I will honour you as a human being, just as I respect myself. I do not need to prove to you the inner integrity of my own thoughts in order to deserve your respect and I do not expect you to prove yours either. But if your behaviour diminishes me, then you will be treated to the fires of my contempt for you!!

You know this feeling?

My biceps feel as if they have had lead syringed into them overnight. My calves are like jutting out bone stems and fragments, defying the force of gravity. My head is like a knot. My brain is puffed out or retracted in — it is impossible to know the difference. My eyes hurt. My body is taut, and narrow now. I have spots of heat and stretch below my breast bones — the cause is too many close grip pushups yesterday. My heart is on fire. My brain remains still. I breathe, but I cannot think. Too many rounds of sparring yesterday.

degreed women are laughing at this

Two words for Benjamin Wallace-Wells on his boxing story [
http://www.washingtonmonthly.com/features/2005/0503.wallace-wells2.html
]: NATURALISTIC FALLACY.

I’m sure that Benjamin should be back in high school. After all, he was there once. It is pointless to imagine him in any other context, because that is the context he came from. To be more exact, his situation is HOPELESS! There is really no point in Benjamin progressing any further than he has. Anyone can see that a person’s achievements mark them for life –and that is why it was quite okay by all of us, when Ben was in high school. My critical point is just that he should have stayed there, where he clearly belonged. All the same, there is no telling Ben. After all, it now it is clear that he is over-reaching himself, showing his lack of critical thinking training, and furthermore, even claiming to be an editor of The Washington Monthly. Surely he is doing all this just to make us more educated women, who do have degrees, laugh?

Another ho! ho! ho! factor — or pitiable aspect of the writing of Ben-Novice — is that he didn’t know that a lot of those “untrained” female fighters which he went to see are actually literally street whores picked up for a one night spectacle. So, it’s not that “nobody wants to train them”. Rather, Ben-Novice and the rest of the women’s boxing audience get to form the ignorant basis for this MARKET DRIVEN form of entertainment. In so far as ignorance about women’s boxing (like that of Ben’s) abounds, there is little need to raise the actual quality of the fights.

Jack Johnson and me

I want to fight like Jack Johnson!! If you learn to fight like your head and upper body is in a sack, then your elbows do tend to stay in, your guard does tend to stay up, and you tend to punch by twisting your body, to use your whole body force, rather than making the common error that beginners make, of using only the arms movements to punch. However, the limit to this upper body focused way of fighting is that you do need to move fast to get in very close, for close-quarters fighting — hence you will certainly get hit a lot of times. The compensation is that your guard will also tend to be up automatically and you will automatically punch using correct techniques with natural reflexes of returning to guard position.